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ABOUT
These posters are an interpretation of two fragrances of Comme des garçons.
the combination of geometric and organic elements opens a field of interpretation for the viewer where he can visually perceive the fragrance in
a subjetive way.
​
​
​
​
ABOUT
These posters are an interpretation of two fragrances of Comme des garçons.
the combination of geometric and organic elements opens a field of interpretation for the viewer where he can visually perceive the fragrance in
a subjetive way.
​
​
​
​
ABOUT
These posters are an interpretation of two fragrances of Comme des garçons.
the combination of geometric and organic elements opens a field of interpretation for the viewer where he can visually perceive the fragrance in
a subjetive way.
​
​
​
​
ABOUT
These posters are an interpretation of two fragrances of Comme des garçons.
the combination of geometric and organic elements opens a field of interpretation for the viewer where he can visually perceive the fragrance in
a subjetive way.
​
​
​
​
ABOUT
These posters are an interpretation of two fragrances of Comme des garçons.
the combination of geometric and organic elements opens a field of interpretation for the viewer where he can visually perceive the fragrance in
a subjetive way.
​
​
​
​
CLIENT
Comme
des garçons
TYP
Poster F4
CLIENT
Comme
des garçons
TYP
Poster F4
CLIENT
Comme
des garçons
TYP
Poster F4
CLIENT
Comme
des garçons
TYP
Poster F4
CLIENT
Comme
des garçons
TYP
Poster F4
AR
ABOUT
For the exhibition at the Kunstmuseeum Luzern, we have further developed the work "So wollen wir leben" and supplemented it with important components that deal with the waste from the vegetables that are produced during the preparation process. The waste rubbish was fermented in a Japanese fermentation container (Bokashi) which was returned to the earth after fermentation. Active coal is added to the fermentation which turns the soil into a high quality humus. The seeds of the vegetables and fruits were collected and sewn into the high bed which was located in the middle of the room. In parallel, on one wall, there was a drawing with black charcoal, made from old bread, which recorded the conversations that took place in this room in a large illustration. We compared the space of the museum to a jar where we humans, like the microbes in a "closed" space, begin to interact and cultivate each other, thus the title of this work: Starting to ferment. As in the previous installation, visitors could get a glass – for free, for money or for an alternative exchange.
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​
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COLLABORATION
VALENTIN BECK
TYP
installation
performance
fermentation
​
EXHIBITION
Dimonds always
comes in small packages
​
Museum of contemporary art Lucerne

In Gärung geraten 2015








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